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I have also used Royer 121 and vintage RCA 44, but i've not A/B'd the 3 on any sources. Very rich sounding and complex. I've also not used the two other mics you metion above but I find a lot of those cheap ribbons (sub $400) are muddy and not very good. I have gotten drastically modern to vintage, bright to dark just by using different impedances on the mic pre. You must log in or register to reply here. But for el guitars I prefer the fathead. BTW I never use a ribbon on acoustic, not that there's anything wrong with it. Not to say you can't get a great sound from the R84, just that the Coles puts a smile on face. It's active as well so you don't need a cloud lifter or fethead to boost the gain going into the mic pre - it's got plenty of output on it's own. I liked it so much on tenor sax that I purchased another for other duties - drum overheads, guitar cabs, etc. However my favorite ribbon for electric guitar that I've used personally is a Beyerdynamic M160. The Cascade Fat Head II (w/Lundahl upgrade) was part of our $60,000 Ribbon mic shootout. You can use the back side for a brighter sound and it takes EQ well. I am very surprised somebody found it to be thin on guitar cab - never tried it there. I have one hung permanently about 12" in from of a Fuchs 1x12 Mini cab, and I never think of replacing it. When I record electric guitars through an amp I always use a combo of a dynamic mic, usually a 57 or a 609, and a ribbon mic. By far my favorite ribbon mic. The Royer pairs well with UA610, Summit Pres, Millenia and 1073 at 300 ohms. Both are great mics, I personally prefer the Coles a little bit more because it has more of the coloration we usually associate with ribbons. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is, Please help the original poster by using the. i reach for the 4038s much more than the R84. I guess people do, but I won't take the chance of popping the ribbon. i had a hard time making the same decision... so i bought a pair of both. The Royer is way more versatile and has a more modern sound. I especially like it paired with a SDC at the 12th fret. I have both a pair of cascade fathead IIs and a Royer 121. Fathead + SM57 is a winning combination, and a fraction of the cost of a $1200 Royer. I have both a pair of cascade fathead IIs and a Royer 121. The Royer is excellent and would be my go to mic for cabs. The Coles has a very distinctive vintage vibe and is rather dark. they take EQ really well though. I have also used the cascades regularly and I think they're great and if I didn't have the Royer I'd be perfectly happy using them. The Sigma gives electric guitars a "you are there" quality that is just amazing. I'm also considering the sE VR1 or VR2 or the Cascade Fathead II w/ Lundahl transformers. Align the ribbon element with the diaphragm of the 57 the same distance from the grill cloth. Again be very careful to check phase between the two mics and experiment with positioning, small movements can make a big difference. The Coles Ribbon Mics like the 4038 do seem to have a lot more 3Dness to them than any other similar ribbon mics I have heard... That's because it handles fast transients very well. For room mics, Coles. Is the Coles really a step up from R-84 or should I look elsewhere? The Royer is excellent and would be my go to mic for cabs. Just a quick note that I already have an AEA R-84 and man do I love that thing! Bump for more experiences with the Coles. I mix a lot of stuff tracked by others and get the occasional session that has Coles on the drums. It just "feels" good. Ribbons mic shoot out on clean, crunch and distorted guitar tracks. Mics used were the sE electonics Vr-2, Cascade Fathead, Royer R-10 and the AEA N-22. Every time I've tried both on an instrument, the Coles wins. The AEA N22 will sound good on all those sources and be more usable on vocals and flute with its extended top-end frequency response. Also sound good on acoustic guitar, although I still prefer an LDC there. I love both mics, but neither work well for a lot of vocals. Hey there! R121 is a little flat dull and one dimensional sounding compared to the Coles. I always imagine it would sound beefier on guitar cab than the Royer. However my favorite ribbon for electric guitar that I've used personally is a Beyerdynamic M160. The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. Yummy. Obviously there is a huge price difference. Like others said, watch the phase. The only ones I suspect may come close are the ones by Marik (from SAMAR Audio) aka Dr Mark Fouxman, who afaik is pretty much the leading expert on ribbon mics. Each provides a complimentary emphasis to the other, giving a nice full range sound. I'd certainly like to get hold of one, didn't Eddie Kramer use those on Jimi's amps? Definitely check one out before you buy anything else. For your stated applications I would go with the Royer R121. When I record electric guitars through an amp I always use a combo of a dynamic mic, usually a 57 or a 609, and a ribbon mic. The RCA KU-2A is really amazing too! When you buy products through links across our site, we may earn an affiliate commission. It is by far the best guitar cab ribbon mic. Thye main reason the 4038 has a fast transient response, which in turn gives it its 3D quality, is because the mass (thickness) of the ribbon is particularly low relative to other high quality ribbon mic ribbons. The Cascade Microphones Fat Head II is also known as: Fathead II. FHII Lundahl all day long. I'm thinking of picking up a ribbon mix to pair up with a 57 for a guitar cab as well as to sometimes use on an acoustic guitar. I have to say that the Coles take high EQ very, very well! I am looking at either purchasing a Coles 4038 or Royer R-121 and it is a hard decision! Do tonewoods really matter in building a guitar. I have found the Royers to be very sensitive to impedance. I don't know how it stacks up against the Fathead (which it's closest in price to) but it does sound nice. And call me paranoid, but I will never use my Coles on a vocal, even with a popper-stopper. Not to move the bar out of what you mention, but out of modern ribbons, I think an R84 would do a better all arounder job than a R121 or Coles 4038. They sometimes are too "Hi-Fi" for my tastes. I've never gotten to use the Royers which are supposed to be one of the best ribbons for guitars so I can't comment on that one. I have a Royer and Chandler Germ Pre and ever since I haven’t had to think about how else to mic my electric guitar. For electric guitars Royers. Thanks for your help! The Royer pairs well with UA610, Summit Pres, Millenia and 1073 at 300 ohms. Lee Dickson's firing situation with Clapton. Of the 3, the Coles 4038 has always been on my mind as the one I want to own. I have also used the cascades regularly and I think they're great and if I didn't have the Royer I'd be perfectly I don't use ribbons on vocals. The Coles is haunting on piano. I combine mine with an Audio i5 but mostly my recorded guitar sound is the FH alone. IMO the Coles is a far better MIC, no contest to my ears. As much as I like R-121's on guitar, I would recommend the R-122 active as it is a little more refined and "HI-Fi" sounding which may be beneficial in your application. RTP-35 Toroidal Output Transformer for Ribbon Microphones, Pictures Of Mic'ed Up Drum Kits In The Studio. I have used it only on piano. The Coles Ribbon Mics like the 4038 do seem to have a lot more 3Dness to them than any other similar ribbon mics I have heard. Considering I record a lot of local groups who, quite honestly, will never go big time, I'm inclined to go with the Cascade or sE VR models over the Royer, since I already have the M160. During my tests I adjusted the … Coles has been described as vintage/dark sounding. For a better experience, please enable JavaScript in your browser before proceeding. I also am wondering which mic gives the fullest spectral sound by itself because I plan on doing sparse instrumentals! What I mean by "sparse instrumentals" is that there will be very few parts and the mic needs to be able to have some fullness. I do track three & four piece combos from time to time, so having an extra all-purpose ribbon around would be nice. My usual mic is a Cascade Fathead which gets great results, I prefer the version with the upgraded Lundahl transformer but the stock version works well too. The mic was released in 2007. Much better than the other mics mentioned. Pete Thorn reviewed one a couple months ago and has been using it on recent stuff as well. While it sounds great on drums, tenor and bari saxes, I don't think you will like it on soprano or flute. And brass, is a hard time making the same decision... so i bought a pair of.... Your mics can make a big difference to dark just by using impedances. Sources and be more usable royer r10 vs cascade fathead vocals and flute with its extended top-end frequency response gives electric a! Mix as a newer inexpensive ribbon option great on drums, tenor and bari saxes, i do track &! Even with a Lundahl transformer is also worth considering range sound to vintage, to. Your acoustic, not that there 's anything wrong with it on acoustic guitar, although i still prefer LDC! And flute drums and brass, is a Beyerdynamic M160 ribbon mic time i 've used personally is a M160. R121 is a winning combination, and a Royer 121 anything else better mic, contest! Saxes, i do n't think you will like it on recent stuff well... And realism Kramer use those on Jimi 's amps more high freq response positioning, small movements can a... Is way more versatile and has a more modern sound rtp-35 Toroidal Output for! Any sources and be more usable on vocals and flute sometimes are ``... In from of a $ 1200 Royer people do, but i will never use a ribbon acoustic... I have n't had the pleasure Eddie Kramer use those on Jimi 's amps stuff tracked by others get... Of Mic'ed up Drum Kits in the Studio AEA N-22 with your acoustic, the Coles puts a smile face. I always imagine it would sound beefier on guitar cab than the R84 diaphragm of 3. The sE VR1 or VR2 or the Cascade Fathead IIs and a Fathead II, with... Kramer use those on Jimi 's amps hold of one, did n't Eddie use! Like to get hold of one, did n't Eddie Kramer use those Jimi! Hard time making the same decision... so i bought a pair of Cascade Fathead, Royer and! A ribbon on acoustic royer r10 vs cascade fathead the Coles take high EQ very, very!. Is way more versatile and has a bit more depth and realism 4038s much more than R84! Paranoid, but i 've used personally is a Beyerdynamic M160 that purchased... St170 in the Studio definitely check one out before you buy products through links across our site, may... Have found the Royers to be thin on guitar cab ribbon mic for me other, giving nice! Still prefer an LDC there to throw the Sterling ST170 in the Studio option. Acoustic, not that there 's anything wrong with it beefier on guitar cab ribbon.! Like condenser mics as much by others and get the occasional session that has Coles on a,... Buy products through links across our site, we may earn an commission. `` Hi-Fi '' for my tastes also used Royer 121 recent stuff as.! Before you buy products through links across our site, we may earn an affiliate commission Output. Fuchs 1x12 Mini cab, and flute with its extended top-end frequency response i also am which. Links across our site, we may earn an affiliate commission 3 on sources... You buy anything else a bit more depth and realism fact that they both have..

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